潘克锋.从《活着》中的温情美看余华创作风格的转变[J].重庆文理学院学报,2012,31(6):71-75.
从《活着》中的温情美看余华创作风格的转变
Researching the Transformation of Yuhua’s Writing Style from the Warmth Beauty in To Live
  
DOI:
中文关键词:  《活着》  苦难  温情  转型  回归
英文关键词:To Live  suffering  warmth  transition  return
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作者单位
潘克锋 西南大学 汉语言文献研究所 重庆 400715 
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中文摘要:
      《活着》是余华从“极端先锋”转向“民间立场”这一新的叙事空间后的第一部小说。与以往作品不同的是,在这部小说中,余华对于死亡的描述已不再是冷酷、决绝,而是在死亡的氛围中融入多种情感,用一种舒缓的笔调展示苦难中人性的光芒以及温情的力量,使人们从“在苦难中寻找温情”而转变为“在温情中受难”。这也昭示了余华创作风格的极大转变以及对于“温情母题”的回归。究其风格转变的因素有很多,其中家庭生活的影响以及自身对于新的创作道路的追求是最主要的。
英文摘要:
      To Live transforms Yu Hua’s “extreme pioneer” to “civil position” and is the new narrative space of the first novel. Different from previous works, in the novel, Yu Hua’s description of the death is no longer cold and reiective , but mix with a wide range of emotions into the atmosphere of death, and displaya style which ease suffering human nature, the forces of light and warmth, so that people transtomed from the “find warmth in the suffering” into “the Passion of the warmth.” This also shows that Yu Hua’s writing style’s changes and the return of the “Motif warmth”. The reason of the transtormation style voiries, which including the impact of family life as well as his own creation for the new road is the main driving force for the pursuit.
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