滕新才,肖兰兰.论川北大木偶与三国文化的联动开发[J].重庆文理学院学报,2020,39(2):61-68.
论川北大木偶与三国文化的联动开发
Study on the Joint Development of Big-sized Puppet in North Sichuan and Three kingdoms Culture
  
DOI:
中文关键词:  川北大木偶  三国文化  联动开发
英文关键词:big-sized puppet in North Sichuan  the Three Kingdoms culture  joint development
基金项目:基金项目
作者单位
滕新才 重庆三峡学院 学报编辑部 重庆 万州 404020 
肖兰兰 陕西诺信蔚来科技服务有限公司 陕西 西安 710000 
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中文摘要:
      川北大木偶是首批国家级非物质文化遗产,以真人的体积、灵活的身姿以及吹拉弹唱等技巧深受川北人民喜爱,多次参加国际大汇演,有一系列经典剧目传世。作为传统文化的一支,三国文化的源头也在川北这块土地上,南充是三国文化的起源地之一。信息技术的发展以及生活习惯的改变使这些文化因素逐渐淡出人们的视线。利用川北大木偶和三国文化两种优势资源,相互促进,共同提高,形成产业开发模式,既能满足人们不同层次的精神需求,又可以推动区域文化的传播与发展,保护传统文化真脉相承。
英文摘要:
      As one of the China’s first batch of state-level non-material cultural heritage, with the size of real people, flexible posture, as well as comprehensive skills including the singing, playing and dancing, the big-sized puppet was deeply loved by north Sichuan people. It has participated in international performances for many times and a series of classic plays have been handed down. As a branch of traditional culture, the source of the Three Kingdoms culture is also in the land of North Sichuan. Nanchong is one of the origins of the Three Kingdoms culture. With the development of information technology and the change of living habits, these cultural factors gradually fade out of people’s sight. Making use of the two resource advantages of puppet and Three Kingdoms culture in North Sichuan to promote and improve each other and form an industrial development mode, it can not only meet people’s spiritual needs at different levels, but also promote the spread and development of regional culture and protect the true inheritance of traditional culture.
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